IRL-Dtc MS 412 (St. Andrews Psalter or Wode Partbooks)

Trinity College Library, Dublin, Ireland

partbook: 1562-92, with early 17th century additions

Archive	Trinity College Library, Dublin, Ireland (IRL-Dtc)
Shelfmark	MS 412 (St. Andrews Psalter or Wode Partbooks)
Surface	Paper
Numbering System	Foliation
Measurements	194 x 141 mm
Other Identifiers	CCM: DubT 412 olim (Former shelfmark): F.5.13 Alternative names: One of a set of manuscripts known collectively as the 'St. Andrews Psalter' or 'Wode Partbooks'; see also EdinU 483a-c, and LonBL 33933 (and the copies in EdinU Dk.5.14-5)
Copyists	Buchan, John (ca. 1562–ca. 1608) Music Kemp, Andrew Music Wode, Thomas (–1592) Text and Music
Relationships	Laing, David (owner) Blackwood, Mr (owner) Wode, Thomas (–1592) (compiler)
External Links	Research Project on the Partbooks
Provenance	St Andrews, Fifeshire, Scotland
Contents	110 pieces from 21 composers

General Description

A Quintus partbook from a set originally of five volumes. Main corpus copied by Thomas Wode or Wood (d. 1592), vicar at St. Andrews, who is named as scribe on several pages; other unidentified scribes made additions in early 17th century. Main corpus compiled and copied in St. Andrews, Fifeshire, Scotland; later additions possibly copied in Aberdeen (HutchiS). One psalm setting copied partly by John Buchan (inscription in [Lbl Add. MS 33933][1]); one canticle setting copied partly by Andrò Kemp (inscription on p. 119 of Bassus book); other unidentified scribes made additions in early 17th century. The subsequent history of the set prior to 19th century is not known (except for duplicate Discantus book EdinU Dk.5.14, in Edinburgh University Library since 1672). Apparently, some or all books were at one time in Ireland, but only the Quintus book DubT 412 has remained there. The Discantus and Tenor books, which earlier belonged to an unidentified Irish clergyman, were purchased by the antiquarian David Laing at 1867 sale in London. Bass book purchased by a Mr. Blackwood, of Edinburgh, at Dublin auction; apparently acquired by Laing in 1835 ('D. Laing 1835' inside front cover). The three books (DTB) passed to their present library following Laing's death.

DIAMM, 2017 (rev. 2020)

Physical Description

Some original folios missing.

DIAMM, 2017

Binding

Original covers of brown blind-tooled leather

DIAMM, 2017

Watermark

No watermarks visible

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

New pencil foliation, 1-63, replaces earlier ink pagination.

DIAMM, 2017

Decoration

A few painted initials at beginning, but mostly without ornamentation or decoration.

DIAMM, 2017

Index

Original index on new ff. 1'-4 and ff. 61-61' lists pieces in order of appearance (some pieces listed in index now missing due to lost original folios).

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

This Quintus book contains the melodies of 40+ catches and roundelays, numbered in the text and index slightly differently, which are not separately listed in the inventory

DIAMM, 2025

DIAMM Note

The Altus partbook from the second copy of these books has been discovered since the Census Catalogue description was written, and is now in Georgetown University Library.

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 motets, 5 anthems (1 without text), 4 English sacred pieces, 113 English secular pieces, 2 French secular pieces, 2 In nomines = 133

(Alison)-2, (Bales)-1, (Bartlet)-2, Blackhall-3, (T. Campion)-17, (Clemens non Papa)-1, (Dowland)-2, Fethy-1, (R. Johnson I)-2, (R. Jones II)17, (N. Lanier II)-1, (Lassus)-2, (Morley)-2, Peebles-(Heagy)-1, Tallis-2, (Wilder)-1, anon-76

1 paper partbook of an original 5 (Q,-63 folios), 194 x 141. DTB books from same original set now EdinU 483; A is LonBL 33933. Duplicate copies of this set were made by Thomas Wode (see below), but only D and B books have survived; these are now EdinU Dk.5.14-5. Some original folios missing. New pencil foliation, 1-63, replaces earlier ink pagination. Original covers of brown blind-tooled leather. Original index on new ff. 1'-4 and ff. 61-61' lists pieces in order of appearance (some pieces listed in index now missing due to lost original folios). Main corpus copied by Thomas Wode or Wood, named as scribe on several pages; other unidentified scribes made additions in early 17th century. A few painted initials at beginning, but mostly without ornamentation or decoration. No watermarks visible.

1562-92, with early 17th century additions. Main corpus compiled and copied in St. Andrews, Fifeshire, Scotland, by Thomas Wode or Wood (d. 1592), vicar at St. Andrews; later additions possibly copied in Aberdeen (HutchiS). Subsequent history of set prior to 19th century not known (except for duplicate D book, EdinU Dk.5.14, in Edinburgh University Library since 1672). Apparently, some or all books were at one time in Ireland, but only DubT 412 has remained there.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2	Wode's index: "The namis of the sangs within this buke"	-	-
Wode's index: "The namis of the sangs within this buke" Appears on: 2
2v–4	full index of songs	-	-
full index of songs Appears on: 2v–4 General Note "The Names of the airs and sonnets conteind with in this book which ar all noted with the tenor or comon pairt they ar sung with" (i.e. the melody - full tests are also underlaid and extra verses copied out). It is, however, not a complete list, and in particular omits the catches which are separately indexed at the back of the book.
4v	basic music theory: notes, rests, clefs	-	-
basic music theory: notes, rests, clefs Appears on: 4v
5–6	Psalm 101. Of mercy and of judgement - 1a pars (of 2): Of mercy and of judgement both	A. Blakehall	Blackhall, Andrew (ca. 1535–1609)
Psalm 101. Of mercy and of judgement - 1a pars (of 2): Of mercy and of judgement both Blackhall, Andrew (ca. 1535–1609) Appears on: 5–6 Genres: Psalm Source Attribution: A. Blakehall Voice: [no designation] Languages: English Clef: g2 Voice Text: CI Psalme. Of mercy and of iudgement bothe General Note R5
6–7	Psalm 101. Of mercy and of judgement - 2a pars (of 2): But such as live a godly life	Andro blakehall	Blackhall, Andrew (ca. 1535–1609)
Psalm 101. Of mercy and of judgement - 2a pars (of 2): But such as live a godly life Blackhall, Andrew (ca. 1535–1609) Appears on: 6–7 Genres: Psalm Source Attribution: Andro blakehall Voice: [no designation] Languages: English Clef: g2 Voice Text: (2a pars) But suche as live a godly lyff General Note Note at end: "finis cp maister Andro blakehall (now minister of mussilbrough) in halyrude hous 1569, giffin in propyrte to the kyng"
7–7v	Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est	-	Van Wilder, Phillip
Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est Van Wilder, Phillip Appears on: 7–7v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Aspice domine quia facta est General Note R6
7v–8	Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte	-	Van Wilder, Phillip
Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte Van Wilder, Phillip Appears on: 7v–8 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: (2a pars) Plorans ploravit in nocte
8–9v	Psalm 128. Blessed art thou that fearest God	Blakhall	Blackhall, Andrew (ca. 1535–1609)
Psalm 128. Blessed art thou that fearest God Blackhall, Andrew (ca. 1535–1609) Appears on: 8–9v Source Attribution: Blakhall Voice: [no designation] Languages: English Mensuration: cut-c Clef: g2 Voice Text: Psalm cxxviii. Blessed art thou that fearest God General Note R7a General Note "Set & send be blakhall to my L. Mar at his first mariadge"
10–11	O God above so well thou has devised	Shir Jhone Futhy	Fethy, Sir John
O God above so well thou has devised Fethy, Sir John Appears on: 10–11 Source Attribution: Shir Jhone Futhy Voice: [no designation] Languages: English Mensuration: cut-c Clef: c1 Voice Text: O God abufe so weill thou hes devyst General Note R10 General Note "composit be Shir Jhon futhy, bayth letter & not" (i.e. he wrote both words and music) General Note "composit be Shir Jhon futhy, bayth letter & not" (i.e. he wrote both words and music). "This man wes the first organeist that ever brought in scotland the curius new fingering and playing on organs..."
11–12	Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 11–12 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Domine in virtute tua General Note R11
12–13	Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius in salutare tuo	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius in salutare tuo Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 12–13 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: (2a pars) Magna gloria eius in salutare tuo
13–14	Omnes gentes attendite ad tam pulchrum	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Maillard, Jean (fl. c1538–1570) (?)
Omnes gentes attendite ad tam pulchrum Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Maillard, Jean (fl. c1538–1570) (?) Appears on: 13–14 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Omnes gentes attendite General Note R12
14–14v	Deus misereatur - 1a pars (of 2): Deus misereatur nostri	-	Anonymous
Deus misereatur - 1a pars (of 2): Deus misereatur nostri Anonymous Appears on: 14–14v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Deus miseriatur nostri General Note R13
14v–15v	Deus misereatur - 2a pars (of 2): Laetentur et exultent gentes	-	Anonymous
Deus misereatur - 2a pars (of 2): Laetentur et exultent gentes Anonymous Appears on: 14v–15v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: (2a pars) Letentur et exultent gentes
15v–17	Psalm 43. Judge and revenge my cause o Lord	Blakhall	Blackhall, Andrew (ca. 1535–1609)
Psalm 43. Judge and revenge my cause o Lord Blackhall, Andrew (ca. 1535–1609) Appears on: 15v–17 Source Attribution: Blakhall Voice: [no designation] Languages: English Mensuration: cut-c Clef: c3 Voice Text: Psalme xliii. Judge and revenge my cause o lord General Note R14
17–17v	In nomine (I)	tallis	Tallis, Thomas (ca. 1505–1585)
In nomine (I) Tallis, Thomas (ca. 1505–1585) Appears on: 17–17v Source Attribution: tallis Voice: [no designation] Languages: none Clef: g2 Voice Text: In nomine [untexted] General Note R15a Concordances See also the fragment at f. 62
17v–18v	The second in nomine	-	Anonymous
The second in nomine Anonymous Appears on: 17v–18v Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Ane uther in nomine [untexted] General Note R16
18v	Qui consolabatur	-	Anonymous
Qui consolabatur Anonymous Appears on: 18v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Qui consolabatur [text incipit only] General Note R17 General Note "Qui consolabatur v pairts - I layk one pairt"
19–19v	Si quis diligit me	David Pables / [Francis Heagy]	Heagy, Francis Peebles, David
Si quis diligit me Heagy, Francis Peebles, David Appears on: 19–19v Genres: Motet Source Attribution: David Pables / [Francis Heagy] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Si quis diligit me General Note R18 General Note "cp David pables sum tyme ane channone in the abbay of Sanctandrous ane of the principall musitians in all the land in his tyme, this sang was set ... xxx yeiris hence"
19v	Descendi in ortum meum - 1a pars (of 2): Descendi in ortum meum	-	Anonymous
Descendi in ortum meum - 1a pars (of 2): Descendi in ortum meum Anonymous Appears on: 19v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Descendi in ortum meum General Note R19
19v–20	Descendi in ortum meum - 2a pars (of 2): Si floruissent vineae	-	Anonymous
Descendi in ortum meum - 2a pars (of 2): Si floruissent vineae Anonymous Appears on: 19v–20 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: (2a pars) Si floruissent vinee
20–20v	Susanne un jour d'amour solicitée par deux viellards	-	Lassus, Orlande de (ca. 1532–1594)
Susanne un jour d'amour solicitée par deux viellards Lassus, Orlande de (ca. 1532–1594) Appears on: 20–20v Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Susane unioure [text incipit only] General Note R23a
20v–21	Un jour vis un foulon qui fouloit	-	Anonymous
Un jour vis un foulon qui fouloit Anonymous Appears on: 20v–21 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Uniour ["iiii pairts", though parts are copied in all 5 books] General Note R24
[-]	- - - supplementary pieces added by other hands follow:	-	-
- - - supplementary pieces added by other hands follow: Appears on: [-]
21v–22	Flow my tears	-	Dowland, John (1563–1626)
Flow my tears Dowland, John (1563–1626) Appears on: 21v–22 Genres: Madrigal (English) Voice: [no designation] Languages: English Clef: c1 Voice Text: Flow my tears fall from your spring
22	Do not price thy beauty at too high a rate	-	Campion, Thomas (1567–1620)
Do not price thy beauty at too high a rate Campion, Thomas (1567–1620) Appears on: 22 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Doe not O doe not price thy beautie General Note "letter [i.e. full text] is on 114 pag." - but this page is now missing.
22	Why presumes thy pride	-	Campion, Thomas (1567–1620)
Why presumes thy pride Campion, Thomas (1567–1620) Appears on: 22 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Why presums thy pryd in that that so most pridat be General Note "letter [i.e. full text] is on 118 pag." - but this page is now missing.
22v, 23	What if a day or a month or a year	-	Campion, Thomas (1567–1620) (?) Allison (Allinson), Richard (1560–1610) (?)
What if a day or a month or a year Campion, Thomas (1567–1620) (?) Allison (Allinson), Richard (1560–1610) (?) Appears on: 22v, 23 Genres: Song Voice: [no designation] Languages: English Clef: c2 Voice Text: What if a day [text incipit only] Voice: [no designation] Languages: English Clef: g2 Voice Text: What if a day or a month or a year General Note 2 voice-parts in different hands on facing pages, the second fully-texted. "letter [i.e. full text] is on 122 pag." - but this page is now missing.
22v	Earth's but a point	-	Allison (Allinson), Richard (1560–1610)
Earth's but a point Allison (Allinson), Richard (1560–1610) Appears on: 22v Genres: Song Voice: [no designation] Languages: English Clef: c2 Voice Text: Earth is but a poynt [text incipit only]
23	Care go thou away from me	-	Anonymous
Care go thou away from me Anonymous Appears on: 23 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Caire goe thou away from me General Note "letter [i.e. full text] is on 119 pag." - but this page is now missing.
23	With my love my life was nestled	-	Morley, Thomas (ca. 1557–1602)
With my love my life was nestled Morley, Thomas (ca. 1557–1602) Appears on: 23 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: With my lov my lyf was nestled
23v	Mistress mine well may you fare	-	Anonymous
Mistress mine well may you fare Anonymous Appears on: 23v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Mistres myn well may you fair: kynd be your thought
23v	Sleep o sleep, sweet lady sleep	-	Anonymous
Sleep o sleep, sweet lady sleep Anonymous Appears on: 23v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Sleip sleip o suett dear ladie sleip
23v	Good men show if you can tell	-	Campion, Thomas (1567–1620)
Good men show if you can tell Campion, Thomas (1567–1620) Appears on: 23v Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: Good men show if you can tell wher doeth human pitie dwell
24	Depart depart alone I must depart	-	Anonymous
Depart depart alone I must depart Anonymous Appears on: 24 Genres: Song Voice: [no designation] Languages: English Mensuration: 3 Clef: c1 Voice Text: Depart depart alone I must depart from her that holds my hert
24–24v	catches nos. 1-2	-	-
catches nos. 1-2 Appears on: 24–24v Voice: [no designation] Languages: English Voice Text: 1. I pray you good mother give me live to play with little Jon; 2. If you this round do know sing it trew
24v	'An air'	-	Anonymous
'An air' Anonymous Appears on: 24v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Ane aire [untexted]
24v–26	catches nos. 3-12	-	-
catches nos. 3-12 Appears on: 24v–26 Voice: [no designation] Languages: English Voice Text: 3. The nightingall [Ravenscroft]; 4. Now God be with old Simeon; 5. New oysters; 6. The old dog the jollie old dog; 7. Dame lend me a loaff; 8. Ther lyes a pudding in the fire; 9. Hey hoe to the green wood; 10. Jollie shepherd and upon a hill he sat; 11. Glad am I my lord is lov; 12. Ther is a lovly lord hes name is Christ
26	Now let us sing Christ keep our king	-	Anonymous
Now let us sing Christ keep our king Anonymous Appears on: 26 Genres: Song Voice: [no designation] Languages: English Clef: c2 Voice Text: Now lett us sing Christ keep our king [catch no. 13]
26v–29v	catches nos. 14-36	-	-
catches nos. 14-36 Appears on: 26v–29v Voice: [no designation] Languages: English Voice Text: 14. To love the lord & feare god; 15. Joy in the gats of Jerusalem; 16. Hey hoe qhat sall I say sir; 17. Sing we now mirily our purses be emptie; 18. "Sing the catch with any letter or psalm that has 8 sillabs in the 1 lyn & 6 in the 2 lyn"; 19. Three wyse men [to the tune 'Three blind mice']; 20. All in one service lett us sing; 21. O my fearfull dream [the index numbers the 2a pars, I saw an ougly thing, as 22; the numbers in the text for the following are therefore one less than the index numbers given here]; 23. As I walked in a may morning; 24. Musing, musing, myne own self myne allon; 25. The wind blows out of the west; 26. Hey down hey down - heave & ho, rumbelow; 27. Bark & green hollie; 28. Robin hood said litle Jon com dance befor the queen [unnumbered in the text, whose numbering therefore is two less than the index for the following]; 29. Keep well your rank my lads; 30. The may she went a milking all on a mistie morning; 31. Now thanked be the great God Pan; 32. Troll troll the bowll to me; 33. To portsmouth to portsmouth it is a gallant; 34. Jinken the jester he thought to make glie; 35. Now kisse the coup cousin; 36. Now foot it as I doe tom boy
30	Cloris sighed and sang and wept	-	Balls, Richard
Cloris sighed and sang and wept Balls, Richard Appears on: 30 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Cloris sight and sang and wept sighing, sang and singing slept Concordances Drexel 4175, GB-Och 87
30–30v	Orpheus I am come from the deeps below	-	Anonymous
Orpheus I am come from the deeps below Anonymous Appears on: 30–30v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Orpheus I am come from the deeps below to the fond man
31	catches nos. 37-39	-	-
catches nos. 37-39 Appears on: 31 Voice: [no designation] Languages: English Voice Text: 37. The cramp is in my purse full sore; 38. Sing after felows as you hear me; 39. Folow me quikly Jak is a prettie boy
31v	Have you seen but a bright lily grow	-	Anonymous
Have you seen but a bright lily grow Anonymous Appears on: 31v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Heave you seen bot a bright lillie grow before rudd hand hath tocht it Concordances Drexel 4175, GB-Och 87, Add.Ms.29481
31v–32	Virtue, beauty, forms of honour	-	Anonymous
Virtue, beauty, forms of honour Anonymous Appears on: 31v–32 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Vertew beautie forms of honour lyk rich jewells hang upon her
32–32v	John come kiss me now	-	Anonymous
John come kiss me now Anonymous Appears on: 32–32v Genres: Song Voice: [no designation] Languages: English Clef: c4 Voice Text: Jon com kisse me now General Note music on f. 32; the 'letter' (text) in full on f. 32v
33	Disdain that so doth fill me	-	Jones (II), Robert (1577–1617)
Disdain that so doth fill me Jones (II), Robert (1577–1617) Appears on: 33 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Disdaine that so doth fill me, hath surly suorne to kill me
33v	Into a fly transformed	-	Bartlet, John (fl. 1606–10)
Into a fly transformed Bartlet, John (fl. 1606–10) Appears on: 33v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Into a flee transformd from human kynd methought I ranged on a sunshyne day
34	Shall I seek to ease my grief	-	Jones (II), Robert (1577–1617)
Shall I seek to ease my grief Jones (II), Robert (1577–1617) Appears on: 34 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Sall I seek to ease my greif no my sight is lost with eying
34v	If thou long'st so much to learn	-	Campion, Thomas (1567–1620)
If thou long'st so much to learn Campion, Thomas (1567–1620) Appears on: 34v Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: If thou longst so much to learn, sueet boy what it is to love
35	Were my heart as some men's are	-	Campion, Thomas (1567–1620)
Were my heart as some men's are Campion, Thomas (1567–1620) Appears on: 35 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Wer my heart as sum mens ar thy errours would not move me
35–35v	O my poor eyes	-	Jones (II), Robert (1577–1617)
O my poor eyes Jones (II), Robert (1577–1617) Appears on: 35–35v Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: O my poor eyes that sun whose shyn did give you light doeth now declyn
35v–36	Thou joyest, fond boy, to be by many loved	-	Campion, Thomas (1567–1620)
Thou joyest, fond boy, to be by many loved Campion, Thomas (1567–1620) Appears on: 35v–36 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Thou joyest fond boy to be by many loved, to hear thy beauty of most dams approved
36	Never love unless thou bear with all the faults of men	-	Campion, Thomas (1567–1620)
Never love unless thou bear with all the faults of men Campion, Thomas (1567–1620) Appears on: 36 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Never love unlesse thou bear, with all the faults of men
36v	Fair in a morn, o fairest morn	-	Anonymous
Fair in a morn, o fairest morn Anonymous Appears on: 36v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Fair in a morn Oh fairest morne, was never morne so fair
36v–37	Who doth behold my mistress fair	-	Bartlet, John (fl. 1606–10)
Who doth behold my mistress fair Bartlet, John (fl. 1606–10) Appears on: 36v–37 Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: Who doth behold my mistres fare and sies that no good hope hath she
37–37v	My song is love yet strange love	-	Anonymous
My song is love yet strange love Anonymous Appears on: 37–37v Genres: Song Voice: [no designation] Languages: English Clef: c4 Voice Text: My song is love yet starnge love not my oun & thoh I lov General Note incomplete
37v–38	Come let us walk into the spring	-	Anonymous
Come let us walk into the spring Anonymous Appears on: 37v–38 Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: Come lett us walk into the spring
38	Sweet Kate of late	-	Jones (II), Robert (1577–1617)
Sweet Kate of late Jones (II), Robert (1577–1617) Appears on: 38 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Sweet Kate of late ran away and left me playing
38v	catches nos. 40-43	-	-
catches nos. 40-43 Appears on: 38v Voice: [no designation] Languages: English Voice Text: 40. Blow thy horne thou Jolie hunter; 41. Will it please you my gentle mistres; 42. Sing with thy mouth, sing with thy hert; 43. Malts com doune ["Malt's come down from an angel to a French crown" - cheaper beer!] The index on ff. 61-61v lists 6 additional catches, which were added at the back of the book but are now missing: 44. A Miller a miller; 45. Three women in a mercatt prittle; 46. My maid she went to mercatt upon; 47. Miserere nostri Domine; 48. Lord help the poore that crie; 49. Hold thy peace.
39–39v	Remember O thou man	-	Ravenscroft, Thomas
Remember O thou man Ravenscroft, Thomas Appears on: 39–39v Genres: Song Voice: [no designation] Languages: English Clef: c3 Voice Text: Remember O thou man thy tyme is spent
39v	Though your strangeness frets my heart	-	Jones (II), Robert (1577–1617) (?) Campion, Thomas (1567–1620) (?)
Though your strangeness frets my heart Jones (II), Robert (1577–1617) (?) Campion, Thomas (1567–1620) (?) Appears on: 39v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Tho your strangnes frets my heart, yet must I not complaine
40	If love loves truth	-	Campion, Thomas (1567–1620)
If love loves truth Campion, Thomas (1567–1620) Appears on: 40 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: If lov loves treuth then women doe not lov: now kynd & frie of favour if they prove
40–40v	Break now my heart and die	-	Campion, Thomas (1567–1620)
Break now my heart and die Campion, Thomas (1567–1620) Appears on: 40–40v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Break now my hert and die, ah no, she may relent
40v–41	Beauty since you so much desire	-	Campion, Thomas (1567–1620)
Beauty since you so much desire Campion, Thomas (1567–1620) Appears on: 40v–41 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Beautie since you so much desyre to know the place of Cupids fire
41	Turn all thy thoughts to eyes	-	Campion, Thomas (1567–1620)
Turn all thy thoughts to eyes Campion, Thomas (1567–1620) Appears on: 41 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Turne all thy thoughts to eyes, turne all thy hairs to eares
41–41v	Vain men whose follies make a god of love	-	Campion, Thomas (1567–1620)
Vain men whose follies make a god of love Campion, Thomas (1567–1620) Appears on: 41–41v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Waine man qhose folies mak a god of love
41v–42	Respect my faith, regard my service past	-	Campion, Thomas (1567–1620)
Respect my faith, regard my service past Campion, Thomas (1567–1620) Appears on: 41v–42 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Respect my faith regard my service past
42	Thrice toss these oaken ashes	-	Anonymous
Thrice toss these oaken ashes Anonymous Appears on: 42 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Thrice tosse these oaken ashes in the aire, thrice sitt you mutt in this inchanted chaire
42v	Sleep angry beauty sleep	-	Campion, Thomas (1567–1620)
Sleep angry beauty sleep Campion, Thomas (1567–1620) Appears on: 42v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Sleip angrie beautie sleip & fear not me, it sall suffice
42v–43	What is all that men possess	-	Campion, Thomas (1567–1620)
What is all that men possess Campion, Thomas (1567–1620) Appears on: 42v–43 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: What is all that men possesse amongst themselves
43	Silly boy it is full moon	-	Campion, Thomas (1567–1620)
Silly boy it is full moon Campion, Thomas (1567–1620) Appears on: 43 Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: Sillie boy it is full moon yett thy night as day shyns clearly
43v	Shall I then hope when faith is fled	-	Campion, Thomas (1567–1620)
Shall I then hope when faith is fled Campion, Thomas (1567–1620) Appears on: 43v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Sall I then hope when faith is fled, can I seek lov when hope is gon
43v–44	Young and simple though I am	-	Campion, Thomas (1567–1620)
Young and simple though I am Campion, Thomas (1567–1620) Appears on: 43v–44 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Yong and simple thogh I am I heav heard of Cupids name
44v	Must your fair inflaming eye	-	Anonymous
Must your fair inflaming eye Anonymous Appears on: 44v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Must your fair inflaming eye, mak all men in lov as I
44v–45v	Toll, toll, gentle bell	-	Anonymous
Toll, toll, gentle bell Anonymous Appears on: 44v–45v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Toul toul gentle bell for a soul killing care doeth controll
45v–46	Thinkst thou Kath to put me down	-	Jones (II), Robert (1577–1617)
Thinkst thou Kath to put me down Jones (II), Robert (1577–1617) Appears on: 45v–46 Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: Thinks thou Katt to putt me doune with a no or with a froune
46–46v	My love bound me with a kiss	-	Jones (II), Robert (1577–1617)
My love bound me with a kiss Jones (II), Robert (1577–1617) Appears on: 46–46v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: My lov bound me with a kiss that I s[h]ould no longer stay
46v–47	You meaner beauties of the night	-	East, Michael
You meaner beauties of the night East, Michael Appears on: 46v–47 Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: You meaner beauties of the night which poorly satisfies our eyes
47–48	As I lay lately in a dream	-	Jones (II), Robert (1577–1617)
As I lay lately in a dream Jones (II), Robert (1577–1617) Appears on: 47–48 Genres: Song Voice: [no designation] Languages: English Mensuration: 3 Clef: g2 Voice Text: As I lay latly in a dream me thought I saw a wondrous thing
48–48v	Like as the lark within the merlin's foot	-	Anonymous
Like as the lark within the merlin's foot Anonymous Appears on: 48–48v Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: Lyk as the lark with in the merleons foot with piteous voyce doeth shirp her yeelding lay
48v–49	Come sweet love let sorrows cease	-	Anonymous
Come sweet love let sorrows cease Anonymous Appears on: 48v–49 Genres: Song Voice: [no designation] Languages: English Mensuration: 3 Clef: c2 Voice Text: Come sweet love lett sorow ceasse: banish froun leav off dissention
49	About a bank when birds on boughs	-	Anonymous
About a bank when birds on boughs Anonymous Appears on: 49 Genres: Song Voice: [no designation] Languages: English Clef: c4 Voice Text: About a bank qhen birds on bows ten thousand tyms ther notts renews
49–49v	There was a wily lad	-	Jones (II), Robert (1577–1617)
There was a wily lad Jones (II), Robert (1577–1617) Appears on: 49–49v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Ther was a wyllie ladd mett with a bony lasse, much prettie sport they had
50	No wonder is suppose my weeping eyes	-	Anonymous
No wonder is suppose my weeping eyes Anonymous Appears on: 50 Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: No wonder is suppose my weeping eyes be blinded with the running floods of woe
50–50v	Now let us sing Christ keep our king	-	Anonymous
Now let us sing Christ keep our king Anonymous Appears on: 50–50v Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: Now lett us sing Christ is our king lord keep our king
50v–51	Woe worth the time and eke the place	-	Anonymous
Woe worth the time and eke the place Anonymous Appears on: 50v–51 Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: Woe worth the tyme & eke the place that thou to me was known
51–51v	Like as the dumb solsequium	-	Anonymous
Like as the dumb solsequium Anonymous Appears on: 51–51v Genres: Song Voice: [no designation] Languages: English Mensuration: 3 Clef: c2 Voice Text: Lyk as the dumb solsequium
51v–52	Will said to his mamie that he would fain go	-	Jones (II), Robert (1577–1617)
Will said to his mamie that he would fain go Jones (II), Robert (1577–1617) Appears on: 51v–52 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Will said to his mamie that he wold faine goe, fain wold he well but he wist not how
52–52v	Go to bed sweet muse	-	Jones (II), Robert (1577–1617)
Go to bed sweet muse Jones (II), Robert (1577–1617) Appears on: 52–52v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Goe to bed sweet muse tak the ease lett not thy soul be sore opprest
52v	For love of one I make my moan	-	Anonymous
For love of one I make my moan Anonymous Appears on: 52v Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: For lov of one I mak my moan right secretly to venus queen
53–53v	Come again sweet love doth now invite	-	Dowland, John (1563–1626)
Come again sweet love doth now invite Dowland, John (1563–1626) Appears on: 53–53v Genres: Consort song Voice: [no designation] Languages: English Clef: c1 Voice Text: Come againe, sweet love doeth now invite, thy graces that refraine, to doe me due delight
53v–54	What mighty motive [motion] so my mind mischeives	-	Anonymous
What mighty motive [motion] so my mind mischeives Anonymous Appears on: 53v–54 Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: What mighty motive so my mynd mischeives, what uncouth care throgh all my corps doe sweep
54–54v	O lustie May	-	Anonymous
O lustie May Anonymous Appears on: 54–54v Genres: Song Voice: [no designation] Languages: English Mensuration: 3 Clef: c1 Voice Text: O lustie Maie which flora queen the balme it drops from phebus sleep
55–55v	If care cause men to cry	-	Anonymous
If care cause men to cry Anonymous Appears on: 55–55v Genres: Tablature Voice: [no designation] Languages: English Clef: g2 Voice Text: If care doe cause men cry qhy doe I not complaine: if evry man bevails his woe why doe I not the same
55v–56	I die when as I do not see her	-	Anonymous
I die when as I do not see her Anonymous Appears on: 55v–56 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: I die qhen as I doe not sie her that is lyf & all to me
56	This is all that women do	-	Anonymous
This is all that women do Anonymous Appears on: 56 Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: This is all that woemen doe sit and answer them that woo
56v–57v	Begone thou fatal fiery fever	-	Anonymous
Begone thou fatal fiery fever Anonymous Appears on: 56v–57v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Gerards mistres lament: Begone thou fatall firie fever (with Gerards answer [sharing the same music]: Come on thou fatall messenger)
57v–58	I cannot enjoy peace	-	Anonymous
I cannot enjoy peace Anonymous Appears on: 57v–58 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: I cannot enjoy peace and yett I heav no warr
58–58v	Weep no more my wearied eyes	-	Lanier (II), Nicholas (1588–1666)
Weep no more my wearied eyes Lanier (II), Nicholas (1588–1666) Appears on: 58–58v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Weep no more my wearied eyes
58v–59v	Farewell dear love	-	Jones (II), Robert (1577–1617)
Farewell dear love Jones (II), Robert (1577–1617) Appears on: 58v–59v Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: Fare well dear love since thou will needs begone
59v	Farewell fond youth	-	Jones (II), Robert (1577–1617)
Farewell fond youth Jones (II), Robert (1577–1617) Appears on: 59v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: the ans: to the former letter: Fare well fond youth if thou had not been blind
60	Sweet if you like and love me still	-	Jones (II), Robert (1577–1617)
Sweet if you like and love me still Jones (II), Robert (1577–1617) Appears on: 60 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Sweet if you lyk and lov me still
60	What if I sped where I least expected	-	Jones (II), Robert (1577–1617)
What if I sped where I least expected Jones (II), Robert (1577–1617) Appears on: 60 Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Qhat if I sped qhere I lest expected, qhat sall I say, sall I lie
60v	Beauty sat bathing by a spring	-	Jones (II), Robert (1577–1617)
Beauty sat bathing by a spring Jones (II), Robert (1577–1617) Appears on: 60v Genres: Song Voice: [no designation] Languages: English Clef: g2 Voice Text: Beautie satt bathing by a spring qhere fairest shads did hid her
60v	Much do I pity the griefs	-	Anonymous
Much do I pity the griefs Anonymous Appears on: 60v Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: Toon [tune] of Much doe I pitie the greiffs General Note "letter [i.e. full text] is on 113 pag.", but that page is now missing
60v	March on brave lads	-	Anonymous
March on brave lads Anonymous Appears on: 60v Genres: Song Voice: [no designation] Languages: none Voice Text: A series of longae, for a band of instruments harmonising with the final of the song: clefs 'base' f4, 'and [base]' f4, 'and [base]' f3, 'treble' c4, 'contra' c2, 'contra' c2 Voice: [no designation] Languages: English Clef: c4 Voice Text: March on brave lads forward lett us goe Tarara tan tan tan
61–61v	index of catches	-	-
index of catches Appears on: 61–61v General Note "A Table conteining the names of all the catches & roundels with in this book". Nos. 1-43 are in the book, nos. 44-49 are now missing.
63	In nomine (I)	-	Tallis, Thomas (ca. 1505–1585)
In nomine (I) Tallis, Thomas (ca. 1505–1585) Appears on: 63 Voice: [no designation] Languages: none Clef: c1 Voice Text: In nomine cp. Tallis iiii pts. The plaine sang of the first in nomine [untexted] General Note R15b General Note a fragment of a page (approx half the width of those in the book) in Wode's writing
63	fragment	-	-
fragment Appears on: 63 Voice: [no designation] Languages: none Clef: c4 Voice Text: [fragment: breves, fa-ut then rising & descending scale ut to fa to ut]

Composer	Compositions
Allison (Allinson), Richard (1560–1610)	Earth's but a point – 22v (?) What if a day or a month or a year – 22v, 23
Anonymous	'An air' – 24v About a bank when birds on boughs – 49 Begone thou fatal fiery fever – 56v–57v Care go thou away from me – 23 Come let us walk into the spring – 37v–38 Come sweet love let sorrows cease – 48v–49 Depart depart alone I must depart – 24 Descendi in ortum meum - 1a pars (of 2): Descendi in ortum meum – 19v Descendi in ortum meum - 2a pars (of 2): Si floruissent vineae – 19v–20 Deus misereatur - 1a pars (of 2): Deus misereatur nostri – 14–14v Deus misereatur - 2a pars (of 2): Laetentur et exultent gentes – 14v–15v Fair in a morn, o fairest morn – 36v For love of one I make my moan – 52v Have you seen but a bright lily grow – 31v I cannot enjoy peace – 57v–58 I die when as I do not see her – 55v–56 If care cause men to cry – 55–55v John come kiss me now – 32–32v Like as the dumb solsequium – 51–51v Like as the lark within the merlin's foot – 48–48v March on brave lads – 60v Mistress mine well may you fare – 23v Much do I pity the griefs – 60v Must your fair inflaming eye – 44v My song is love yet strange love – 37–37v No wonder is suppose my weeping eyes – 50 Now let us sing Christ keep our king – 50–50v Now let us sing Christ keep our king – 26 O lustie May – 54–54v Orpheus I am come from the deeps below – 30–30v Qui consolabatur – 18v Sleep o sleep, sweet lady sleep – 23v The second in nomine – 17v–18v This is all that women do – 56 Thrice toss these oaken ashes – 42 Toll, toll, gentle bell – 44v–45v Un jour vis un foulon qui fouloit – 20v–21 Virtue, beauty, forms of honour – 31v–32 What mighty motive [motion] so my mind mischeives – 53v–54 Woe worth the time and eke the place – 50v–51 [No description] – 38v [No description] – 63 [No description] – 61–61v [No description] – 24v–26 [No description] – 31 [No description] – 4v [No description] – 26v–29v [No description] – 24–24v [No description] – 2v–4 [No description] – 2
Balls, Richard	Cloris sighed and sang and wept – 30
Bartlet, John (fl. 1606–10)	Into a fly transformed – 33v Who doth behold my mistress fair – 36v–37
Blackhall, Andrew (ca. 1535–1609)	Psalm 101. Of mercy and of judgement - 1a pars (of 2): Of mercy and of judgement both – 5–6 Psalm 101. Of mercy and of judgement - 2a pars (of 2): But such as live a godly life – 6–7 Psalm 128. Blessed art thou that fearest God – 8–9v Psalm 43. Judge and revenge my cause o Lord – 15v–17
Campion, Thomas (1567–1620)	Beauty since you so much desire – 40v–41 Break now my heart and die – 40–40v Do not price thy beauty at too high a rate – 22 Good men show if you can tell – 23v If love loves truth – 40 If thou long'st so much to learn – 34v Never love unless thou bear with all the faults of men – 36 Respect my faith, regard my service past – 41v–42 Shall I then hope when faith is fled – 43v Silly boy it is full moon – 43 Sleep angry beauty sleep – 42v Thou joyest, fond boy, to be by many loved – 35v–36 (?) Though your strangeness frets my heart – 39v Turn all thy thoughts to eyes – 41 Vain men whose follies make a god of love – 41–41v Were my heart as some men's are – 35 (?) What if a day or a month or a year – 22v, 23 What is all that men possess – 42v–43 Why presumes thy pride – 22 Young and simple though I am – 43v–44
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	(?) Omnes gentes attendite ad tam pulchrum – 13–14
Dowland, John (1563–1626)	Come again sweet love doth now invite – 53–53v Flow my tears – 21v–22
East, Michael	You meaner beauties of the night – 46v–47
Fethy, Sir John	O God above so well thou has devised – 10–11
Heagy, Francis	Si quis diligit me – 19–19v
Johnson (I), Robert (ca. 1500–ca. 1560)	Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua – 11–12 Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius in salutare tuo – 12–13
Jones (II), Robert (1577–1617)	As I lay lately in a dream – 47–48 Beauty sat bathing by a spring – 60v Disdain that so doth fill me – 33 Farewell dear love – 58v–59v Farewell fond youth – 59v Go to bed sweet muse – 52–52v My love bound me with a kiss – 46–46v O my poor eyes – 35–35v Shall I seek to ease my grief – 34 Sweet Kate of late – 38 Sweet if you like and love me still – 60 There was a wily lad – 49–49v Thinkst thou Kath to put me down – 45v–46 (?) Though your strangeness frets my heart – 39v What if I sped where I least expected – 60 Will said to his mamie that he would fain go – 51v–52
Lanier (II), Nicholas (1588–1666)	Weep no more my wearied eyes – 58–58v
Lassus, Orlande de (ca. 1532–1594)	Susanne un jour d'amour solicitée par deux viellards – 20–20v
Maillard, Jean (fl. c1538–1570)	(?) Omnes gentes attendite ad tam pulchrum – 13–14
Morley, Thomas (ca. 1557–1602)	With my love my life was nestled – 23
Peebles, David	Si quis diligit me – 19–19v
Ravenscroft, Thomas	Remember O thou man – 39–39v
Tallis, Thomas (ca. 1505–1585)	In nomine (I) – 63 In nomine (I) – 17–17v
Van Wilder, Phillip	Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est – 7–7v Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte – 7v–8

Composition	Composers (? Uncertain)	Folios / Pages
'An air'	Anonymous	24v
About a bank when birds on boughs	Anonymous	49
As I lay lately in a dream	Jones (II), Robert (1577–1617)	47–48
Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est	Van Wilder, Phillip	7–7v
Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte	Van Wilder, Phillip	7v–8
Beauty sat bathing by a spring	Jones (II), Robert (1577–1617)	60v
Beauty since you so much desire	Campion, Thomas (1567–1620)	40v–41
Begone thou fatal fiery fever	Anonymous	56v–57v
Break now my heart and die	Campion, Thomas (1567–1620)	40–40v
Care go thou away from me	Anonymous	23
Cloris sighed and sang and wept	Balls, Richard	30
Come again sweet love doth now invite	Dowland, John (1563–1626)	53–53v
Come let us walk into the spring	Anonymous	37v–38
Come sweet love let sorrows cease	Anonymous	48v–49
Depart depart alone I must depart	Anonymous	24
Descendi in ortum meum - 1a pars (of 2): Descendi in ortum meum	Anonymous	19v
Descendi in ortum meum - 2a pars (of 2): Si floruissent vineae	Anonymous	19v–20
Deus misereatur - 1a pars (of 2): Deus misereatur nostri	Anonymous	14–14v
Deus misereatur - 2a pars (of 2): Laetentur et exultent gentes	Anonymous	14v–15v
Disdain that so doth fill me	Jones (II), Robert (1577–1617)	33
Do not price thy beauty at too high a rate	Campion, Thomas (1567–1620)	22
Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua	Johnson (I), Robert (ca. 1500–ca. 1560)	11–12
Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius in salutare tuo	Johnson (I), Robert (ca. 1500–ca. 1560)	12–13
Earth's but a point	Allison (Allinson), Richard (1560–1610)	22v
Fair in a morn, o fairest morn	Anonymous	36v
Farewell dear love	Jones (II), Robert (1577–1617)	58v–59v
Farewell fond youth	Jones (II), Robert (1577–1617)	59v
Flow my tears	Dowland, John (1563–1626)	21v–22
For love of one I make my moan	Anonymous	52v
Go to bed sweet muse	Jones (II), Robert (1577–1617)	52–52v
Good men show if you can tell	Campion, Thomas (1567–1620)	23v
Have you seen but a bright lily grow	Anonymous	31v
I cannot enjoy peace	Anonymous	57v–58
I die when as I do not see her	Anonymous	55v–56
If care cause men to cry	Anonymous	55–55v
If love loves truth	Campion, Thomas (1567–1620)	40
If thou long'st so much to learn	Campion, Thomas (1567–1620)	34v
In nomine (I)	Tallis, Thomas (ca. 1505–1585)	17–17v
In nomine (I)	Tallis, Thomas (ca. 1505–1585)	63
Into a fly transformed	Bartlet, John (fl. 1606–10)	33v
John come kiss me now	Anonymous	32–32v
Like as the dumb solsequium	Anonymous	51–51v
Like as the lark within the merlin's foot	Anonymous	48–48v
March on brave lads	Anonymous	60v
Mistress mine well may you fare	Anonymous	23v
Much do I pity the griefs	Anonymous	60v
Must your fair inflaming eye	Anonymous	44v
My love bound me with a kiss	Jones (II), Robert (1577–1617)	46–46v
My song is love yet strange love	Anonymous	37–37v
Never love unless thou bear with all the faults of men	Campion, Thomas (1567–1620)	36
No wonder is suppose my weeping eyes	Anonymous	50
Now let us sing Christ keep our king	Anonymous	26
Now let us sing Christ keep our king	Anonymous	50–50v
O God above so well thou has devised	Fethy, Sir John	10–11
O lustie May	Anonymous	54–54v
O my poor eyes	Jones (II), Robert (1577–1617)	35–35v
Omnes gentes attendite ad tam pulchrum	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Maillard, Jean (fl. c1538–1570) (?)	13–14
Orpheus I am come from the deeps below	Anonymous	30–30v
Psalm 101. Of mercy and of judgement - 1a pars (of 2): Of mercy and of judgement both	Blackhall, Andrew (ca. 1535–1609)	5–6
Psalm 101. Of mercy and of judgement - 2a pars (of 2): But such as live a godly life	Blackhall, Andrew (ca. 1535–1609)	6–7
Psalm 128. Blessed art thou that fearest God	Blackhall, Andrew (ca. 1535–1609)	8–9v
Psalm 43. Judge and revenge my cause o Lord	Blackhall, Andrew (ca. 1535–1609)	15v–17
Qui consolabatur	Anonymous	18v
Remember O thou man	Ravenscroft, Thomas	39–39v
Respect my faith, regard my service past	Campion, Thomas (1567–1620)	41v–42
Shall I seek to ease my grief	Jones (II), Robert (1577–1617)	34
Shall I then hope when faith is fled	Campion, Thomas (1567–1620)	43v
Si quis diligit me	Heagy, Francis Peebles, David	19–19v
Silly boy it is full moon	Campion, Thomas (1567–1620)	43
Sleep angry beauty sleep	Campion, Thomas (1567–1620)	42v
Sleep o sleep, sweet lady sleep	Anonymous	23v
Susanne un jour d'amour solicitée par deux viellards	Lassus, Orlande de (ca. 1532–1594)	20–20v
Sweet if you like and love me still	Jones (II), Robert (1577–1617)	60
Sweet Kate of late	Jones (II), Robert (1577–1617)	38
The second in nomine	Anonymous	17v–18v
There was a wily lad	Jones (II), Robert (1577–1617)	49–49v
Thinkst thou Kath to put me down	Jones (II), Robert (1577–1617)	45v–46
This is all that women do	Anonymous	56
Thou joyest, fond boy, to be by many loved	Campion, Thomas (1567–1620)	35v–36
Though your strangeness frets my heart	Jones (II), Robert (1577–1617) (?) Campion, Thomas (1567–1620) (?)	39v
Thrice toss these oaken ashes	Anonymous	42
Toll, toll, gentle bell	Anonymous	44v–45v
Turn all thy thoughts to eyes	Campion, Thomas (1567–1620)	41
Un jour vis un foulon qui fouloit	Anonymous	20v–21
Vain men whose follies make a god of love	Campion, Thomas (1567–1620)	41–41v
Virtue, beauty, forms of honour	Anonymous	31v–32
Weep no more my wearied eyes	Lanier (II), Nicholas (1588–1666)	58–58v
Were my heart as some men's are	Campion, Thomas (1567–1620)	35
What if a day or a month or a year	Campion, Thomas (1567–1620) (?) Allison (Allinson), Richard (1560–1610) (?)	22v, 23
What if I sped where I least expected	Jones (II), Robert (1577–1617)	60
What is all that men possess	Campion, Thomas (1567–1620)	42v–43
What mighty motive [motion] so my mind mischeives	Anonymous	53v–54
Who doth behold my mistress fair	Bartlet, John (fl. 1606–10)	36v–37
Why presumes thy pride	Campion, Thomas (1567–1620)	22
Will said to his mamie that he would fain go	Jones (II), Robert (1577–1617)	51v–52
With my love my life was nestled	Morley, Thomas (ca. 1557–1602)	23
Woe worth the time and eke the place	Anonymous	50v–51
You meaner beauties of the night	East, Michael	46v–47
Young and simple though I am	Campion, Thomas (1567–1620)	43v–44

Set: St. Andrews Psalter or Wode Partbooks (orig. set)

Type: Partbooks

GB-Eu MS La III. 483 (a) (St. Andrews Psalter or Wode Partbooks)

GB-Eu MS La III. 483 (b) (St. Andrews Psalter or Wode Partbooks)

GB-Eu MS La III. 483 (c) (St. Andrews Psalter or Wode Partbooks)

GB-Lbl Add. MS 33933 (St. Andrews Psalter or Wode Partbooks)

IRL-Dtc MS 412 (St. Andrews Psalter or Wode Partbooks)

Set: St. Andrews Psalter or Wode Partbooks

Type: Linked by Origin or Contents

GB-Eu MS Dk.5.14 (St. Andrews Psalter or Wode Partbooks)

GB-Eu MS Dk.5.15 (St. Andrews Psalter or Wode Partbooks)

GB-Eu MS La III. 483 (a) (St. Andrews Psalter or Wode Partbooks)

GB-Eu MS La III. 483 (b) (St. Andrews Psalter or Wode Partbooks)

GB-Eu MS La III. 483 (c) (St. Andrews Psalter or Wode Partbooks)

GB-Lbl Add. MS 33933 (St. Andrews Psalter or Wode Partbooks)

IRL-Dtc MS 412 (St. Andrews Psalter or Wode Partbooks)

US-Wgu MS 10 (St. Andrews Psalter or Wode Partbooks)

‡ denotes primary source study

Reid-Baxter, Jamie, Michael Lynch, and E. Patricia Dennison. 2011. Jhone Angus, Monk of Dunfermeline & Scottish Reformation Music. 72. Dunferline Heritage Community Projects. Pages: 45-69. Notes: description; contents list (partial); discussion.

Aplin, John. 1979. The Survival of Plainsong in Anglican Music: Some Early English Te-Deum Settings. Journal of the American Musicological Society, 247ff. Pages: 261, 265-7. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Bernstein, Jane Agar. 1979. Philip van Wilder and the Netherlandish Chanson in England. Musica Disciplina, 55-75. Pages: 74-5. Notes: contents list (partial); concordances (partial).

Benham, Hugh Raymond. 1977. Latin Church Music in England c. 1460-1575. London. Pages: 164. Notes: contents list (partial).

Elliott, Kenneth, and Frederick Rimmer. 1973. A History of Scottish Music. London. Pages: 26,30-2,44. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Blezzard, Judith H. 1972. The Sacred Music of the Lumley Books (British Museum Royal Appendix Manuscripts 74-76): An Edition and Critical Study. University of Leeds, Unpublished Ph.D. dissertation. Pages: I, 73-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Notes: contents list (partial); concordances (partial).

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 174ff; II, 77ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

‡ Hutchinson, Hilda S P. 1957. The St. Andrews Psalter. Transcription and Critical Study of Thomas Wode's Psalter. Edinburgh University, Unpublished B.Mus. thesis. Notes: physical description (partial); contents list; concordances; texts; texts; mention of MS; discussion.

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 2, 180-2, 263, 397; II, 130, 138, 451; III, 182, 202. Notes: physical description (partial); contents list.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XV, 204ff, passim; XLIV.xxx, 184-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Patrick, Millar. 1949. Four Centuries of Scottish Psalmody. London, Glasgow, and New York. Pages: 57-62. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Farmer, Henry George. 1948. A History of Music in Scotland. London. Pages: 161-7. Notes: physical description; mention of MS; discussion.

Willsher, Harry M. 1945. Music in Scotland During Three Centuries (1450-1750): Being Contributions Towards the History of Music in Scotland. University of St Andrews, Ph.D. Pages: I:142-152. Notes: description, contents list; discussion; concordances (partial); trabnscriptions (partial).

Davey, Henry. 1921. History of English Music. London. Pages: 148-50. Notes: contents list (partial); mention of MS; discussion.

Frere, Walter Howard. 1894-1932, repr. Hildesheim, 1967. Bibliotheca Musico-Liturgica: A Descriptive Handlist of the Musical and Latin-Liturgical Mss. of the Middle Ages Preserved in the Libraries of Great Britain and Ireland. 2 vols. London: The Plainsong and Medieval Music Society. Pages: II, 71. Notes: physical description.

Laing, David. 1870. An Account of the Scottish Psalter of A.D. 1566, Containing the Psalms, Canticles, and Hymns, Set to Music in Four Parts, in the Manuscripts of Thomas Wode or Wood, Vicar of Sanctandrous. Proceedings of the Society of Antiquaries of Scotland, 445-58. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1888-93], 129-32. Notes: physical description (partial); contents list.

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Edward Tambling

Monday, 18 October, 2021

The setting of 'Aspice Domine' (with secunda pars 'Plorans ploravit') on folios 7-8 is by van Wilder.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description