I-Mfd MS 2268 (Librone 2)

Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale, Milano (Milan), Italy

partbook: Early 16th century

Archive Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale, Milano (Milan), Italy (I-Mfd)
Shelfmark MS 2268 (Librone 2)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 650 x 450 mm
Other Identifiers
  • RISM: I-Md 2268
  • CCM: MilD 2
  • Other catalogues/source: I-Mfd Librone 2
  • olim (Former shelfmark): 2268
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 68 pieces from 9 composers
General Description

Copied by four main scribes, one of whom also wrote portions of MilD 1; later additions by three other scribes, including Franchino Gafori, who also wrote ParmP 1158 and made additions in MilD 1, MilD 3, and MilD 4 (HalpM). Copied in Milan, for use by the cathedral choir; prepared under direction of Franchino Gafori, maestro di cappella from 1484 until his death in 1522.

DIAMM, 2017
Physical Description

Paper manuscript; fols. IV (modern flyleaves, followed by a fragment of a former pastedown with index by Gaffurius), 211, IV’ (modern flyleaves). The manuscript consists of 211 folios; the foliation, written by Gaffurius himself on the upper exter-nal margin of each recto in Arabic numbers, starts from the second folio and skips by mistake from 102 to 104; a modern hand marked the first folio ‘1a’ in pencil.67 The format is ‘in plano’: 650 × 450; all the gatherings present reinforcing strips since the bifolia were obtained by pasting together two large-format leaves (which were heavily trimmed on the upper margin). The gatherings are largely modern assemblages, as a result of the 1950s restoration. The first folios are covered by a film that determined the smudging of the ink. Jeppesen speaks of twenty-six gath-erings, prevailingly quaternions, with some quinternions and ternions;68 today, however, after the said restoration, the manuscript consists of twenty-seven gath-erings, almost all reassembled as quaternions: 1 (6), 2 (5), 3 (6), 4–6 (8), 7 (10), 8 (6), 9–25 (8), 26–27 (9). Based on the analysis of the folios and on the description by Jeppesen, Pantarotto proposed the following reconstruction : 1–2 (10), 3–6 (8), 7 (4), 8–9 (8), 10 (12), 11 (9: a quinternion with a missing first folio), 12–15 (8), 16 (4), 17(6), 18–20 (8), 21 (10), 22–25 (8), 26 (10: a ternion inserted into a binion). The paper is homogeneous in the whole manuscript and presents a horizontal fold, previous to the binding, which divides each folio in two sections ca. 330 mm high (a similar fold is to be seen in the thinner paper of Librone 1). From fol. 16 a watermark can be seen: an oxhead surmounted by a cross with circles at end of the arms, a motif that can be located in Milan between the late fifteenth century and the first decade of the sixteenth (Pantarotto 2021).

DIAMM, 2024
Binding

Modem covers of tooled leather.

DIAMM, 2017
Watermark

Watermark on some folios (from fol. 16) resembles Briquet #14430-2 (JepG). Motif: an oxhead surmonted by a cross with circles at end of the arms. This watermark can be located in Milan between the late 15th century and the first decade of the sixteenth (Pantarotto 2021).

DIAMM, 2017
Notation

Black void mensural notation

DIAMM, 2017
Foliation

Original foliation, iiii modern flyleaves, followed by a fragment of a former pastdown with index by Gaffurius), 1-211, beginning on second folio ('103' omitted), iiii modern flyleaves.

DIAMM, 2017
Decoration

Some inked ornamental initials.

DIAMM, 2017
Index

Fragments of original index pasted to flyleaf at beginning.

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM

XVe s. 211 ff. + 1 f.limin.n.ch. Papier, 635 x 450 mm. Foliotation ancienne 1-211. Le f. limin. et les ff. 19v, 20, 53v, 54, 83v, 117v, 130, 160, 203v, 204 sont blancs. Notation mesurée blanche. 12 portées par p. Fragments de la table originale du ms. sur parchemin, recollés sur un f. de garde moderne. Initiales ornées à la plume.

Ms. copié à la fin du XVe s. par différents scribes. Les 1ers ff. ont souffert de l'humidité et de la corrosion par l'encre qui attaque le papier. Répertoire religieux en majorité milanais avec au premier rang Gaffurio (14 messes et motets) suivi de Gaspar van Weerbeke (5), Martini (3) et Compère (1), tous actifs à la chapelle du Dome.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

11 Masses (I without Kyrie; 1 without Agnus), 11 G-C-S Masses, 1 Gloria-Credo pair, 4 Sanctus, 1 Te Deum, 12 motets (some intended as substitutes for Mass sections) = 40

Brumel-1, (Compère)-2, Gafori-13, Isaac-3, Martini-3, Obrecht-1, Tinctoris-1, Weerbecke [Gaspar]-6, anon-10

i + 211 + i paper folios, 645 x 450. Original foliation, 1-211, beginning on second folio ("103" omitted). Modem covers of tooled leather. Fragments of original index pasted to flyleaf at beginning. Copied by 8-10 scribes (KanP), including Franchino Gafori, who also copied ParmC 1158; scribal concordances with MilD 1, MilD 3, and MilD 4. Some inked ornamental initials. Watermark on some folios resembles Briquet #14430-2 (JepG). Most anonymous pieces probably by Gafori.

Ca. 1490-1500. Copied in Milan, for use by the cathedral choir; prepared under direction of Franchino Gafori, maestro di cappella from 1484 until his death in 1522.

Vol 4

Contents: Change "12 motets" to "14 motets"; change total of pieces from "40" to "42."

Composers: Brumel-1, (Compère)-2, Gafori-14 + 6?, Isaac-3, Martini-3 + 1?, Obrecht-1, Tinctoris-1, Weerbecke [Gaspar]-6, anon-4

Physical: Copied by four main scribes, one of whom also wrote portions of MilD 1; later additions by three other scribes, including Franchino Gafori, who also wrote ParmP 1158 and made additions in MilD 1, MilD 3, and MilD 4 (HalpM).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1av–2 Missa La bassadanza = Missa La Spagna: Gloria H. Isaac
Appears on: 1av–2
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: H. Isaac
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] La bassadanza.[= Missa La Spagna*]
General Note

[=Missa sobre Castilla**] [Sans Kyrie ni Agnus]

Concordances

*SartoriB n° 28 "E-Boc 5

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: X.

2v–4 Missa La bassadanza = Missa La Spagna: Credo -
Appears on: 2v–4
Genres: Credo (patrem omnipotentem), Mass Ordinary
4v–6 Missa La bassadanza = Missa La Spagna: Sanctus -
Appears on: 4v–6
Genres: Mass Ordinary, Sanctus [& Benedictus]
6v–7 O beata praesulis - Anonymous

O beata praesulis

Anonymous
Appears on: 6v–7
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Beata presulis

Voice: [no designation]
Languages: Latin
Voice Text: O beata presulis

Voice: [no designation]
Languages: Latin
Voice Text: Doctoris solemnia

Voice: [no designation]
Languages: Latin
Voice Text: Doctoris solemnia
General Note

Pro sancto Ambrosio.

7v–8 Promissa mundo gaudia GAFFOR[IUS]
Appears on: 7v–8
Genres: Motet
Source Attribution: GAFFOR[IUS]
Voice: [no designation]
Languages: Latin
Voice Text: Romissa mundo gaudia

Voice: [no designation]
Languages: Latin
Voice Text: Romissa mundo gaudia

Voice: [no designation]
Languages: Latin
Voice Text: Romissa mundo gaudia

Voice: [no designation]
Languages: Latin
Voice Text: Romissa mundo gaudia
General Note

Publ. cf. Md 2269 n° 71

8v–18 Missa Omnipotens genitor F. GAFFORUS.
Appears on: 8v–18
Genres: Agnus Dei, Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus], Troped Credo, Troped Gloria
Source Attribution: F. GAFFORUS.
Voice: [no designation]
Languages: Latin
Voice Text: Omnipotens genitor

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: II.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 10, II.

18v–19 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 18v–19
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: VI.

20v–26 Missa Coda pavon: Gloria, Credo, Sanctus Jo. Mar[tini]
Appears on: 20v–26
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Jo. Mar[tini]
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra …
General Note

[Sans Kyrie ni Agnus]

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: XII.

26v–33 Missa Ma bouche rit: Gloria, Credo, Sanctus JO.MARTINI]
Appears on: 26v–33
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: JO.MARTINI]
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra …

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra …
General Note

Sans Kyrie ni Agnus]

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: XII.

33v–35 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 33v–35
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Voice: [no designation]
Languages: Latin
Voice Text: Sanctus …

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: VI.

35v–36 Sanctus 'O sapientia' -
Appears on: 35v–36
Genres: Mass Ordinary, Troped Sanctus
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus - O sapientia
General Note

[Tropé à la fin:]

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: VI (avec la pièce suivante).

36v–37 O genitrix gloriosa - 2a pars (of 2): Ave virgo gloriosa Maria mater gratiae [L.COMPÈRE*] ou J. RICHAFORT
Appears on: 36v–37
Genres: Motet
Source Attribution: [L.COMPÈRE*] ou J. RICHAFORT
Voice: [no designation]
Languages: Latin
Voice Text: O genitrix gloriosa mater dei speciosa
General Note

Publ. cf. Fr 2794 n° 8[= 2a p. de O genitrix gloriosa]

Concordances

*DK-Kk 1848

37v–43 Missa (4vv): Gloria, Credo, Sanctus Jo. Tinctoris
Appears on: 37v–43
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Jo. Tinctoris
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra ...

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra ...

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra ...

Voice: [no designation]
Languages: Latin
Voice Text: Et in terra ...
General Note

[Missa sans Kyrie ni Agnus]

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: XV.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 18.

43v–48 Missa brevis primi toni F. G[afforius]
Appears on: 43v–48
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: F. G[afforius]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …
General Note

[Sans Benedictus ni Agnus]

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: II.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 10, II.

48v–49 Quam pulchra es GASPAR
Appears on: 48v–49
Genres: Motet
Source Attribution: GASPAR
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulcra es

Voice: [no designation]
Languages: Latin
Voice Text: Vam pulcra es

Voice: [no designation]
Languages: Latin
Voice Text: Quam pulcra es

Voice: [no designation]
Languages: Latin
Voice Text: Quam pulcra es
General Note

. Publ. cf. Md 2269 n° 87'

49v–50 Ave regina caelorum mater (4vv) - 1a pars (of 2): Ave regina caelorum mater [GASPAR VAN WEERBEKE]
Appears on: 49v–50
Genres: BVM, Motet
Source Attribution: [GASPAR VAN WEERBEKE]
Voice: [no designation]
Languages: Latin
Voice Text: Aue regina celorum

Voice: [no designation]
Languages: Latin
Voice Text: Aue regina celorum

Voice: [no designation]
Languages: Latin
Voice Text: Ve regina celorum

Voice: [no designation]
Languages: Latin
Voice Text: Aue regina celorum
General Note

Publ. cf. Md 2269 n° 87a

49v–50 Ave regina caelorum mater (4vv) - 2a pars (of 2): Ave corpus Domini [GASPAR VAN WEERBEKE]
Appears on: 49v–50
Genres: Motet
Source Attribution: [GASPAR VAN WEERBEKE]
Voice: [no designation]
Languages: Latin
Voice Text: Aue corpus domini

Voice: [no designation]
Languages: Latin
Voice Text: Aue corpus domini

Voice: [no designation]
Languages: Latin
Voice Text: Aue corpus domini

Voice: [no designation]
Languages: Latin
Voice Text: Aue corpus domini
General Note

Publ. cf. Md 2269 n° 87a

50v–51 O Maria clausus hortus [GASPAR VAN WEERBEKE]
Appears on: 50v–51
Genres: Motet
Source Attribution: [GASPAR VAN WEERBEKE]
Voice: [no designation]
Languages: Latin
Voice Text: O maria clausus ortus

Voice: [no designation]
Languages: Latin
Voice Text: Naufragantis mundi portus

Voice: [no designation]
Languages: Latin
Voice Text: o maria clausus ortus

Voice: [no designation]
Languages: Latin
Voice Text: Naufragantis mundi portus
General Note

Publ. cf. Md 2269 n° 87"

51v–52 Ave domina angelorum - 1a pars (of 2): Ave domina angelorum - Anonymous
Appears on: 51v–52
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Aue domina angelorum

Voice: [no designation]
Languages: Latin
Voice Text: Aue domina angelorum

Voice: [no designation]
Languages: Latin
Voice Text: ue domina angelorum

Voice: [no designation]
Languages: Latin
Voice Text: Aue domina angelorum

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: II.

51v–52 Ave domina angelorum - 2a pars (of 2): O salutaris hostia - Anonymous
Appears on: 51v–52
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O salutaris hostia

Voice: [no designation]
Languages: Latin
Voice Text: O salutaris hostia

Voice: [no designation]
Languages: Latin
Voice Text: O salutaris hostia

Voice: [no designation]
Languages: Latin
Voice Text: O salutaris hostia
52v–53 Quem terra pontus aethera [Gaspar van Weerbeke]
Appears on: 52v–53
Genres: Motet
Source Attribution: [Gaspar van Weerbeke]
Voice: [no designation]
Languages: Latin
Voice Text: Quem terra pontus ethera

Voice: [no designation]
Languages: Latin
Voice Text: Quem terra pontus etera

Voice: [no designation]
Languages: Latin
Voice Text: Quem terra puntus ethera

Voice: [no designation]
Languages: Latin
Voice Text: Vem terra pontus ethera
General Note

Publ. cf. Md 2269 n" 866

54v–55 O sacrum convivium (5vv) - 1a pars (of 2): O sacrum convivium in quo Christus sumitur F. GAFORUS
Appears on: 54v–55
Genres: Motet
Source Attribution: F. GAFORUS
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum conuiuium

Voice: [no designation]
Languages: Latin
Voice Text: O Sacrum conuiuium

Voice: [no designation]
Languages: Latin
Voice Text: O Sacrum conuiuium

Voice: [no designation]
Languages: Latin
Voice Text: O sacrum conuiuium

Voice: [no designation]
Languages: Latin
Voice Text: o Sacrum conuiuium

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: V.

55v–56 O sacrum convivium (5vv) - 2a pars (of 2): Accepta Christi munera -
Appears on: 55v–56
Genres: Motet
Voice: [no designation]
Languages: Latin

Voice: [no designation]
Languages: Latin

Voice: [no designation]
Languages: Latin

Voice: [no designation]
Languages: Latin
Voice Text: Accepta Christi munera

Voice: [no designation]
Languages: Latin

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: V (attrib. à F. Gafforius).

56v–63 Missa Io ne tengo quanto a te: Gloria, Credo, Sanctus JO.MARTINI
Appears on: 56v–63
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: JO.MARTINI
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Io ne tengo quanto te. Et in terra
General Note

[Sans Kyrie ni Agnus]

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: XI.

63v–65 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 63v–65
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: VI.

65v–69 Missa Trombetta: Gloria, Credo, Sanctus (GAFFORI)
Appears on: 65v–69
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: (GAFFORI)
Voice: [no designation]
Languages: Latin
Voice Text: (Missa Trombetta) Et in terra
General Note

[Sans Kyrie ni Agnus]

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: II.

69v–72 Missa no. 23: Gloria, Credo - Anonymous
Appears on: 69v–72
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra [Missa sans Kyrie ni Agnus]

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: VI.

72v–83 Missa Tant que nostre argent - Anonymous
Appears on: 72v–83
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin, French, Greek
Voice Text: [Missa Tant que nostre argent] Kyrie
General Note

T: Kyrie Tant quant nostre argent dura leyson

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: VI.

84v–93 Missa De tous biens plaine (GAFFORI)
Appears on: 84v–93
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: (GAFFORI)
Voice: [no designation]
Languages: Latin, French, Greek
Voice Text: (Missa de touts biens pleine) Kyrie
General Note

[mq. Sup. et T du 1er Kyrie]

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: II Incipit reconstitué:.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 10,11.

93v–100 Missa sexti toni irregularis F. GAFFORUS
Appears on: 93v–100
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: F. GAFFORUS
Voice: [no designation]
Languages: Latin, Greek
Voice Text: (Messa a quattro) Kyrie
General Note

[ = Missa sexti toni irregularis]

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: I.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 10, I et II.

100v–101 Hac in die laudes - 1a pars (of 2): Hac in die laudes pie caeli iungant F.G.(AFFORIUS]
Appears on: 100v–101
Genres: Motet
Source Attribution: F.G.(AFFORIUS]
Voice: [no designation]
Languages: Latin
Voice Text: Hac in die Laudes pie

Voice: [no designation]
Languages: Latin
Voice Text: Hac in die Laudes pie

Voice: [no designation]
Languages: Latin
Voice Text: Hac in die Laudes pie

Voice: [no designation]
Languages: Latin
Voice Text: Hac in die Laudes pie
General Note

[Loco Introitus]

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: III.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 10,11.

101v–102 Missa Sancte Caterine V. et M. (Quarti Toni): Kyrie F.G.(AFFORIUS]
Appears on: 101v–102
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: F.G.(AFFORIUS]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: III.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 10,11.

102v–105 Missa Sancte Caterine V. et M. (Quarti Toni): Gloria F.G.(AFFORIUS]
Appears on: 102v–105
Genres: Gloria (et in terra pax)
Source Attribution: F.G.(AFFORIUS]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sancte Caterine V. et M. Quarti toni.] Gloria

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: III.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 10,11.

105v–107 Missa Sancte Caterine V. et M. (Quarti Toni): Credo F.G.(AFFORIUS]
Appears on: 105v–107
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: F.G.(AFFORIUS]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sancte Caterine V. et M. Quarti toni.] Credo,
General Note

Missa Sancte Caterine V. et M. Quarti toni.

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: III.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 10,11.

107v–108 Missa Sancte Caterine V. et M. (Quarti Toni): Sanctus F.G.(AFFORIUS]
Appears on: 107v–108
Genres: Sanctus [& Benedictus]
Source Attribution: F.G.(AFFORIUS]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sancte Caterine V. et M. Quarti toni.] Sanctus

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: III.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 10,11.

108v–109 Missa Sancte Caterine V. et M. (Quarti Toni): Agnus F.G.(AFFORIUS]
Appears on: 108v–109
Genres: Agnus Dei, Mass Ordinary
Source Attribution: F.G.(AFFORIUS]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: III.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 10,11.

109v–110 Virgo constans decolatur F.G.(AFFORIUS]
Appears on: 109v–110
Genres: Motet
Source Attribution: F.G.(AFFORIUS]
Voice: [no designation]
Languages: Latin
Voice Text: Virgo constans
General Note

[Loco Deo gratias.]

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: III.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 10,11.

110v–114 Missa brevis et expedita: Gloria, Credo, Sanctus F. GAFORUS
Appears on: 110v–114
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: F. GAFORUS
Voice: [no designation]
Languages: Latin
Voice Text: (Missa brevis et expedita) Et in terra
General Note

[Sans Kyrie ni Agnus]

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: III.

114v–117 Missa 4vv: Gloria, Credo - Anonymous
Appears on: 114v–117
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Pye cruore deriuatur

Voice: [no designation]
Languages: Latin
Voice Text: UJrgo constans decolatur

Voice: [no designation]
Languages: Latin
Voice Text: VJrgo constans decolatur

Voice: [no designation]
Languages: Latin
Voice Text: Pro cruere deriuatur
General Note

Credo incomplete - remainder (from Et incarnatus) is at 209v-211

118–129v Missa O clara luce F. GAFORUS
Appears on: 118–129v
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: F. GAFORUS
Voice: [no designation]
Languages: Latin, Greek
Voice Text: (Missa de O clara luce Gaffori) Kyrie

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: III.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 10, II.

130v–134 Missa brevis octavi toni: Gloria, Credo, Sanctus (part) F. GAFFORUS
Appears on: 130v–134
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: F. GAFFORUS
Voice: [no designation]
Languages: Latin
Voice Text: (Missa brevis octavi toni) Et in terra
General Note

Sanctus incomplete - remainder at 135v-136

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: III.

134v–135 Ave verum -
Appears on: 134v–135
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Ave verum
135v–136 Missa brevis octavi toni: Sanctus (part) [F. GAFFORIUS]
Appears on: 135v–136
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [F. GAFFORIUS]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus II de la Missa n° 31
General Note

Sanctus incomplete - first part at 130v-134

136v–138 Missa Plurimorum carminum II: Gloria -
Appears on: 136v–138
Genres: Gloria (et in terra pax), Mass Ordinary
138v–141 Missa Plurimorum carminum II: Credo OBRET
Appears on: 138v–141
Source Attribution: OBRET
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Et in terra
General Note

[Missa Sans Kyrie ni Benedictus ni Agnus]

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: 15 (Missa diversorum tenorum).

Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen.  Amsterdam und Leipzig. Pages: IV (Missa Adieu mes amours I).

141v–143 Missa Plurimorum carminum II: Sanctus -
Appears on: 141v–143
143v–144 Missa no. 23: Sanctus - Anonymous
Appears on: 143v–144
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus de la Missa n" 23
Concordances

Jeppesen notes this Sanctus is related to/based on Obrecht's Missa Adieu mes amours

144v–146 Missa Quant j'ai au coeur: Gloria: 3 partes. (ISAC)
Appears on: 144v–146
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: (ISAC)
Voice: [no designation]
Languages: Latin
Voice Text: Ave verum corpus factum
General Note

Sans Kyrie ni AgnusPubl. cf. Bc 18 n° 62

Concordances

*SartoriB n° 28

146v–149 Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. -
Appears on: 146v–149
Genres: Credo (patrem omnipotentem), Mass Ordinary
149v–151 Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces. -
Appears on: 149v–151
Genres: Mass Ordinary, Sanctus [& Benedictus]
151v–154 Missa Chargé de deuil: Gloria ISACH
Appears on: 151v–154
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: ISACH
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Chargé de deul* ] Et in terra
General Note

Sans KyriePubl. cf. Fn 27 n° 81

Concordances

*SartoriB n° 28; F-CA 18

154v–157 Missa Chargé de deuil: Credo -
Appears on: 154v–157
Genres: Credo (patrem omnipotentem), Mass Ordinary
157v–159 Missa Chargé de deuil: Sanctus -
Appears on: 157v–159
Genres: Mass Ordinary, Sanctus [& Benedictus]
159v Missa Chargé de deuil: Agnus Dei -
Appears on: 159v
Genres: Agnus Dei, Mass Ordinary
159v - - Anonymous

[Unknown Title]

Appears on: 159v
160v–163 Missa Ave regina caelorum: Kyrie GASPAR
Appears on: 160v–163
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: GASPAR
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Ave regina celorum*] Kyrie
Concordances

*SartoriB n° 29

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: XI.

163v–165 Missa Ave regina caelorum: Gloria -
Appears on: 163v–165
Genres: Gloria (et in terra pax), Mass Ordinary
165v–169 Missa Ave regina caelorum: Credo -
Appears on: 165v–169
Genres: Credo (patrem omnipotentem), Mass Ordinary
169v–173 Missa Ave regina caelorum: Sanctus -
Appears on: 169v–173
Genres: Mass Ordinary, Sanctus [& Benedictus]
173v–176 Missa Ave regina caelorum: Agnus Dei -
Appears on: 173v–176
Genres: Agnus Dei, Mass Ordinary
176v–191 Missa (4vv) F. GAFORUS
Appears on: 176v–191
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: F. GAFORUS
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Kyrie

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: III.

191v–193 Missa L'homme armé: Kyrie ANTONIUS BRUMEL
Appears on: 191v–193
Source Attribution: ANTONIUS BRUMEL
Voice: [no designation]
Languages: Latin, French, Greek
Voice Text: [Missa L'homme armé] Kyrie

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, I.

193v–195 Missa L'homme armé: Gloria -
Appears on: 193v–195
195v–198 Missa L'homme armé. Patrem omnipotentem [Credo] -
Appears on: 195v–198
198v–201 Missa L'homme armé: Sanctus -
Appears on: 198v–201
201v–203 Missa L'homme armé: Agnus Dei -
Appears on: 201v–203
204v–209 Te Deum laudamus [K.522] - Anonymous
Appears on: 204v–209
Genres: Liturgical work, Te Deum
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus

Item Bibliography

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: IX.

209v–211 Missa 4vv: Credo - Anonymous

Missa 4vv: Credo

Anonymous
Appears on: 209v–211
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus
General Note

Incomplete: from Et incarnatus: first part of Credo at 114v-117

Composer Compositions
Anonymous
Brumel, Antoine (ca. 1460–ca. 1513)
Compère, Loyset (ca. 1445–1518)
Gaffurius, Franchinus (1451–1522)
Isaac, Heinrich (ca. 1450–1517)
Martini, Johannes (ca. 1430–1497)
Obrecht, Jacobus (ca. 1457–1505)
Tinctoris, Johannes (ca. 1435–1511)
Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Composition Composers (? Uncertain) Folios / Pages
Ave domina angelorum - 1a pars (of 2): Ave domina angelorum Anonymous 51v–52
Ave domina angelorum - 2a pars (of 2): O salutaris hostia Anonymous 51v–52
Ave regina caelorum mater (4vv) - 1a pars (of 2): Ave regina caelorum mater 49v–50
Ave regina caelorum mater (4vv) - 2a pars (of 2): Ave corpus Domini 49v–50
Ave verum 134v–135
Hac in die laudes - 1a pars (of 2): Hac in die laudes pie caeli iungant 100v–101
Missa (4vv) 176v–191
Missa (4vv): Gloria, Credo, Sanctus 37v–43
Missa 4vv: Credo Anonymous 209v–211
Missa 4vv: Gloria, Credo Anonymous 114v–117
Missa Ave regina caelorum: Agnus Dei 173v–176
Missa Ave regina caelorum: Credo 165v–169
Missa Ave regina caelorum: Gloria 163v–165
Missa Ave regina caelorum: Kyrie 160v–163
Missa Ave regina caelorum: Sanctus 169v–173
Missa brevis et expedita: Gloria, Credo, Sanctus 110v–114
Missa brevis octavi toni: Gloria, Credo, Sanctus (part) 130v–134
Missa brevis octavi toni: Sanctus (part) 135v–136
Missa brevis primi toni 43v–48
Missa Chargé de deuil: Agnus Dei 159v
Missa Chargé de deuil: Credo 154v–157
Missa Chargé de deuil: Gloria 151v–154
Missa Chargé de deuil: Sanctus 157v–159
Missa Coda pavon: Gloria, Credo, Sanctus 20v–26
Missa De tous biens plaine 84v–93
Missa Io ne tengo quanto a te: Gloria, Credo, Sanctus 56v–63
Missa L'homme armé. Patrem omnipotentem [Credo] 195v–198
Missa L'homme armé: Agnus Dei 201v–203
Missa L'homme armé: Gloria 193v–195
Missa L'homme armé: Kyrie 191v–193
Missa L'homme armé: Sanctus 198v–201
Missa La bassadanza = Missa La Spagna: Credo 2v–4
Missa La bassadanza = Missa La Spagna: Gloria 1av–2
Missa La bassadanza = Missa La Spagna: Sanctus 4v–6
Missa Ma bouche rit: Gloria, Credo, Sanctus 26v–33
Missa no. 23: Gloria, Credo Anonymous 69v–72
Missa no. 23: Sanctus Anonymous 143v–144
Missa O clara luce 118–129v
Missa Omnipotens genitor 8v–18
Missa Plurimorum carminum II: Credo 138v–141
Missa Plurimorum carminum II: Gloria 136v–138
Missa Plurimorum carminum II: Sanctus 141v–143
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. 146v–149
Missa Quant j'ai au coeur: Gloria: 3 partes. 144v–146
Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces. 149v–151
Missa Sancte Caterine V. et M. (Quarti Toni): Gloria 102v–105
Missa Sancte Caterine V. et M. (Quarti Toni): Agnus 108v–109
Missa Sancte Caterine V. et M. (Quarti Toni): Credo 105v–107
Missa Sancte Caterine V. et M. (Quarti Toni): Kyrie 101v–102
Missa Sancte Caterine V. et M. (Quarti Toni): Sanctus 107v–108
Missa sexti toni irregularis 93v–100
Missa Tant que nostre argent Anonymous 72v–83
Missa Trombetta: Gloria, Credo, Sanctus 65v–69
O beata praesulis Anonymous 6v–7
O genitrix gloriosa - 2a pars (of 2): Ave virgo gloriosa Maria mater gratiae 36v–37
O Maria clausus hortus 50v–51
O sacrum convivium (5vv) - 1a pars (of 2): O sacrum convivium in quo Christus sumitur 54v–55
O sacrum convivium (5vv) - 2a pars (of 2): Accepta Christi munera 55v–56
Promissa mundo gaudia 7v–8
Quam pulchra es 48v–49
Quem terra pontus aethera 52v–53
Sanctus Anonymous 18v–19
Sanctus Anonymous 33v–35
Sanctus Anonymous 63v–65
Sanctus 'O sapientia' 35v–36
Te Deum laudamus [K.522] Anonymous 204v–209
Virgo constans decolatur 109v–110

Set: Mss. 2266-9 (Libroni 1-4)

Type: Linked by Origin or Contents

No images available

I-Mfd MS 2266 (Librone 4)

No images available

I-Mfd MS 2267 (Librone 3)

No images available

I-Mfd MS 2268 (Librone 2)

No images available

I-Mfd MS 2269 (Librone 1)

denotes primary source study

Filippi, Daniele V. 2021b. Gaffurius's Paratexts: Notes on the Indexes of Libroni 1-3. Reopening Gaffurius's Libroni, edited by Daniele V. Filippi, 165-179. Lucca: Libreria Musicale Italiana.

Filippi, Daniele V. 2021a. The Making and the Dating of the Gaffurius Codices: Archival Evidence and Research Perspectives. Reopening Gaffurius's Libroni, edited by Daniele V. Filippi, 3-58. Lucca: Libreria Musicale Italiana.

Cassia, Cristina. 2021. Gaffurius at the Mirror: The Internal Concordances of the Libroni. Reopening Gaffurius's Libroni, edited by Cristina Cassia, 181-215. Lucca: Libreria Musicale Italiana.

Pantarotto, Martina. 2021. ‘Scripsi et notavi’: Scribes, Notators, and Calligraphers in the Workshop of the Gaffurius Codices. Reopening Gaffurius's Libroni, edited by Martina Pantarotto, 59-164. Lucca: Libreria Musicale Italiana.

Pavanello, Agnese. 2021. The Non-Milanese Repertory of the Libroni: A Potential Guide for Tracking Musical Exchanges. Reopening Gaffurius's Libroni, edited by Agnese Pavanello, 217-269. Lucca: Libreria Musicale Italiana.

Rossi, Francesco Rocco. 2021. Franchino Gaffurio compositore. I mottetti.  Ivrea: LeMus.

Cassia, Cristina. 2019b. Catalogo dei Libroni gaffuriani. Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Cristina Cassia, 291-389. Lucca: Libreria Musicale Italiana.

Filippi, Daniele V. 2019b. Where Devotion and Liturgy Meet: Reassessing the Milanese Roots of the "Motetti missales". Motet Cycles between Devotion and Liturgy, edited by Daniele V. Filippi, 53-91. Basel: Schwabe.

Cassia, Cristina. 2019a. La compilazione del Catalogo dei Libroni: problemi e osservazioni. Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Cristina Cassia, 275-290. Lucca: Libreria Musicale Italiana.

Filippi, Daniele V. 2019a. Breve guida ai "motetti missales" (e dintorni). Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Daniele V. Filippi, 139-169. Lucca: Libreria Musicale Italiana.

Brown, Howard Mayer. 1987. Florence MS Magl. IXI. 164, Facsimile reproduction, with introduction. Renaissance Music in Facsimile.  Garland.

Halpern, Lynn Elise. 1986. The Motetti Missales Repertory Reconsidered. Journal of the American Musicological Society, 491-523. Pages: 494,505-7,512. Notes: contents list (partial); concordances (partial).

Burkholder, J Peter. 1985. Johannes Martini and the Imitation Mass of the Late Fifteenth Century. Journal of the American Musicological Society, 470-523. Pages: 477-8,512,518. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Halpern, Lynn Elise. 1985. Motet and Mass-Motet Cycles in lhe Gafurius Codices. University of Illinois, Unpublished Master's thesis. Notes: physical description; contents list; concordances (partial); transcription (partial); texts (partial); mention of MS; discussion.

Noblitt, Thomas L. 1983. Filiation vis-à-vis its Alternatives: Approaches to Textual Criticism. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 111-27. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 152.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xxx, 29-34, 60, 67, 86; III, 37-8, 55, 76-8, 87-9. Notes: physical description; contents list (partial); concordances (partial).

Melin, William (editor). 1976. Johannes Tinctoris: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: x-xi, 55-73. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies.  Brooklyn. Pages: I, 126-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI,x; VII,x,xix-xxi,1-83. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Noblitt, Thomas L. 1968. The Ambrosian Motetti Missales Repertory. Musica Disciplina, 77-103. Pages: 79ff, 83. Notes: contents list (partial); mention of MS; discussion.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: 443, 478-80. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 147. Notes: contents list (partial); incipits (partial).

Noblitt, Thomas L. 1963. The Motetti Missales of the Late Fifteenth Century. University of Texas at Austin, Unpublished Ph.D. dissertation. Pages: 3-5, 10-2, passim. Notes: physical description (partial); contents list (partial); texts (partial); mention of MS; discussion.

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense.  Veneranda Fabbrica del Duomo di Milano. Pages: A. Bortone, in AMMM II, Iff et AMMM III, Iff. Notes: physical description; contents list; texts; discussion.

Sartori, Claudio. 1957. La Cappella Musicale del Duomo di Milano: Catalogo delle Musiche dell'Archivio.  Milan. Pages: 47-50. Notes: physical description; contents list.

Finscher, Lutz (editor). 1955-. Franchinus Gafurius: Collected Musical Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Sartori, Claudio. 1953. II Quarto Codice di Gaffurio non e del Tutto Scomparso. Collectanea Historiae Musicae, 25-44. Notes: physical description (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II, 1346. Notes: physical description (partial).

Jeppesen, Knud. 1931. Die 3 Gafurius-Kodizes der Fabbrica del Duomo, Milano. Acta Musicologica, 14-28. Notes: physical description; contents list; concordances; mention of MS; discussion.

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XIX. Notes: physical description (partial); contents list (partial); transcription (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description